Elena Garro, a Mexican Literary Figure, Dies at 78
By ANTHONY DePALMA
MEXICO CITY -- The Mexican writer Elena Garro, whose novels,
plays and stories exploring the clash between illusion and reality in
Latin America
made her one of Mexico's most important literary figures
behind her former
husband, Octavio Paz, died on Saturday at
Cuernavaca Hospital,
south of Mexico City.
She was 78 and had emphysema, said her daughter, Helena Paz Garro.
While male voices
predominate in Latin American literature, Ms. Garro,
through acerbic
intelligence and lyric intensity, achieved a level of
recognition
and importance usually barred to women. The president of the
National Council
for Culture and the Arts in Mexico, Rafael Tovar y de
Teresa, labeled
Ms. Garro one of the three most important female writers
that Mexico
had produced, alongside the 17th-century nun and poet Sor
Juana de la
Cruz and Rosario Castellanos, Ms. Garro's contemporary.
The Mexican literary
world "is in mourning again," said Tovar y de
Teresa.
Paz, who won the Nobel Prize in Literature in 1990, died on April 19.
In the Mexico
City daily Reforma, the writer Carlos Fuentes called Ms.
Garro's first
book, "Recollections of Things to Come," "one of the most
important Mexican
novels of the 20th century." It is one of only a handful
of her more
than 40 works that was translated into English.
Ms. Garro was
born in the pretty colonial town of Puebla, 75 miles from
Mexico City.
Her marriage
to Paz in 1937 brought her into a circle of intellectuals
where her own
radical ideas flourished and eventually clashed with those
of her contemporaries.
Soon after marrying,
she and Paz moved from Mexico City to Spain to
write about
the Spanish Civil War. They lived in Paris after World War II
and became part
of the literary group that included the Argentine poet
Jorge Luis Borges
and the Surrealist André Breton. Later they lived in
Japan before
returning to Mexico.
Their marriage
dissolved in the early 1960's and they never spoke to each
other again.
In the late 1960's,
Mexico, like many other countries, was immersed in
protest and
rebellion. The Mexican student movement had been fired in
part by the
country's intellectual elite. But Ms. Garro turned her back on
the movement,
at one point calling it a "crazy adventure."
Her remarks stirred
open hostility and brought about an almost complete
break with Mexico's
literary community. She moved to New York, and
later to Paris,
remaining in exile for 23 years before returning to Mexico in
November 1991.
She found a changed
country, which she found hard to accept, and
became like
a character in "Recollections of Things to Come" who tried to
step out of
time by stopping the clock at the end of every day.
Still, Ms. Garro
continued to write provocatively and successfully. This
March, the English
translations of two of her novellas, "First Love" and
"Look for My
Obituary," were published by Curbstone.
In a review in
The New York Times, Peter Bricklebank said the works
possessed "understated
eloquence," with characters who are "prisoners of
their own solitude,
shackled by social expectations."
Besides her novels
and stories, she wrote eight works for the theater,
including "A
Solid Home" (1957), "The Tree" (1963) and "Felipe
Angeles" (1979).
Upon her return to Mexico in 1991, she was honored
for her life's
work at the National Theater Program in Aguascalientes.
Ms. Garro spent
her last years with her daughter and more than a dozen
cats in a two-bedroom
apartment in Cuernavaca.